This one was previously up with the title "Maximum Leader/Hell On Earth", which didn't really sit well with the piece. The wrong title can really damage a painting.
Acrylic on board, 2007, 12" x 9".
BTW, the preliminary results are in & it's not looking good...
William T. Ayton is a British artist based in Tempe, Arizona & New York's Hudson Valley. His work deals with the human condition, social issues and myth. He creates drawings, paintings & augmented reality pieces, and has recently started to experiment with AI-generated art.
Wednesday, August 29, 2007
Cavalcade
Men O War Variant B
This is the original version for the "Men O War" painting, which never quite worked previously:
Acrylic on plywood, 2007, 18" x 30".
However, I added the linear elements & it seemed to push the piece to a completely new level, adding depth & diminishing the distracting background elements (gun barrels & missiles), which are still vaguely visible...
Here's Variant A (the original finished version) for comparison:
The dimensions & materials are the same as version B, above.
Acrylic on plywood, 2007, 18" x 30".
However, I added the linear elements & it seemed to push the piece to a completely new level, adding depth & diminishing the distracting background elements (gun barrels & missiles), which are still vaguely visible...
Here's Variant A (the original finished version) for comparison:
The dimensions & materials are the same as version B, above.
Tree Of Life & Death Update
Here's the new version of this painting (see entry somewhere below):
Acrylic on plywood, 2007, 30" x 18".
The main difference is the addition of the parallel lines to create a "woodcut" or "Venetian blind" effect, which gives the painting both more depth & more flatness, or graphic sensibility, to my mind. My paintings have often used recurring linear elements (see the original tree painting below), so this seems to be a logical extension of that. It's proving to be an interesting stylistic element. More examples to follow.
Acrylic on plywood, 2007, 30" x 18".
The main difference is the addition of the parallel lines to create a "woodcut" or "Venetian blind" effect, which gives the painting both more depth & more flatness, or graphic sensibility, to my mind. My paintings have often used recurring linear elements (see the original tree painting below), so this seems to be a logical extension of that. It's proving to be an interesting stylistic element. More examples to follow.
Tuesday, August 28, 2007
Last Night's Highlights
Here are some of the better pieces from last night's life drawing session:
Seated male nude -- graphite on paper, 17" x 14".
Seated male nude II -- graphite on paper, 17" x 14".
Seated male nude on striped cloth -- graphite on paper, 17" x 14".
Clicking the images gives a slightly enhanced view, as usual.
Seated male nude -- graphite on paper, 17" x 14".
Seated male nude II -- graphite on paper, 17" x 14".
Seated male nude on striped cloth -- graphite on paper, 17" x 14".
Clicking the images gives a slightly enhanced view, as usual.
Quick Life Drawing
Friday, August 24, 2007
Prisoner
Tuesday, August 21, 2007
Another life drawing
Tuesday, August 14, 2007
Couple of new life drawings
Saturday, August 11, 2007
Tree Of Life & Death
A new painting, related to the "Hiroshima" nuclear-bomb works:
Acrylic on plywood, 2007, 30" x 18". An iconic piece. Somehow reminds me of a medieval tapestry.
Acrylic on plywood, 2007, 30" x 18". An iconic piece. Somehow reminds me of a medieval tapestry.
Friday, August 10, 2007
Head of a Woman (Red)
Tuesday, August 07, 2007
Standing Male Nude
Monday, August 06, 2007
Portrait of the Tyrant as a Young Man
A new painting, somehow related to the painting, Tyranny, below (the other side of the Hell entry). It's a depiction of innocence & idealism before it congeals into tyranny, I guess.
Acrylic on plywood, 2007, 30" x 18".
Acrylic on plywood, 2007, 30" x 18".
Hell Finished
The Hell sketchbook is officially finished. 158 sketches, plus front & back covers. It's done. Not sure what to do now. Let it sit. Have a think. The images might find their way into a large-scale painting, a series of paintings, a book, etc. Here are some images (all are brush & ink on paper, 2007, 11" x 8" approx.):
Page 117 -- The Snake
Page 124 -- The Deceiver
Page 132 -- Embedded in a Tree
Page 133 -- Seated Demon
Page 135 -- Strange Elephant
Page 140 -- Hell Dwelling
Page 155 -- Watching a Monster
Page 157 -- Lucifer's Tears
All titles subject to change, depending on my whims & mood swings...
Page 117 -- The Snake
Page 124 -- The Deceiver
Page 132 -- Embedded in a Tree
Page 133 -- Seated Demon
Page 135 -- Strange Elephant
Page 140 -- Hell Dwelling
Page 155 -- Watching a Monster
Page 157 -- Lucifer's Tears
All titles subject to change, depending on my whims & mood swings...
Thursday, August 02, 2007
Tyranny
New painting:
Acrylic on unstretched canvas, 2007, 53" x 53" approx. I wanted to get back to raw, monochrome work. This is somewhat an extension of the War Room series, with elements of expressionism & social commentary.
Acrylic on unstretched canvas, 2007, 53" x 53" approx. I wanted to get back to raw, monochrome work. This is somewhat an extension of the War Room series, with elements of expressionism & social commentary.
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