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| Manipulator of the World, 2019, oil on panel, 14" x 11" |
William T. Ayton is a British/US artist based in New York's Hudson Valley. His work deals with the human condition, social issues and myth. He creates drawings, paintings & augmented reality pieces, and has recently started to experiment with AI-generated art.
Showing posts with label man. Show all posts
Showing posts with label man. Show all posts
Wednesday, May 22, 2019
Manipulator of the World
This is a new painting on plywood panel done in oil paint. I tend not to paint in oil during the colder months, as my studio is expensive to heat, so it's easier to work inside with acrylics. This is from some new oil paintings I'm working on at the moment. I took the photo while the paint was still wet, and you can see that in parts, such as the upper left blue sky, where the light is reflecting off the liquin (glazing/drying agent) I used with the paint.
Sunday, July 06, 2014
Wounded Man Falling
A more expressionistic painting of a victim.
Wounded Man Falling, 2014, acrylic on plywood, 24" x 18".
Wounded Man Falling, 2014, acrylic on plywood, 24" x 18".
Labels:
acrylic painting,
art,
expressionist,
falling,
man,
wounded
Friday, July 04, 2014
The Man Who Saw the World from Inside a Protective Bubble
Another painting on cardboard...I'm thinking of entering this one for the Limner Gallery "Strange Figurations" show...
The Man Who Saw the World from Inside a Protective Bubble, 2014, acrylic on cardboard, 48" x 36".
The Man Who Saw the World from Inside a Protective Bubble, 2014, acrylic on cardboard, 48" x 36".
Sunday, February 17, 2013
The Man Who Bought the World
A new ink line drawing (Pitt fine-line artist pen) for the World Series:
The Man Who Bought the World, 2013, ink on tracing paper, 12" x 9".
Saturday, December 29, 2012
Small Sketch of a Furtive Man
From the same Finn Crisp box as the one in the posting below:
Small Sketch of a Furtive Man, 2012, ink on card, 5.25" x 3.5" approx.
Small Sketch of a Furtive Man, 2012, ink on card, 5.25" x 3.5" approx.
Wednesday, July 25, 2012
The Man Who Named the Mountains
This is another large monochrome painting on a sheet of cardboard. I kept this one pretty loose, it's mainly composed of a series of washes, so the edges are quite soft compared to much of my work. The title suggested itself as I was working on it.
The Man Who Named the Mountains, 2012, acrylic on cardboard, 48" x 36". Inspired at least a little bit by looking at the mountain paintings of Rob Colvin...
The Man Who Named the Mountains, 2012, acrylic on cardboard, 48" x 36". Inspired at least a little bit by looking at the mountain paintings of Rob Colvin...
Labels:
acrylic painting,
art,
man,
monochrome,
mountains
Wednesday, September 28, 2011
Sketch of a Man's Head
Another loose-ish brush & ink wash sketch:
Sketch of a Man's Head, 2011, brush & ink wash on paper, 12" x 9".
Sketch of a Man's Head, 2011, brush & ink wash on paper, 12" x 9".
Monday, September 06, 2010
Man About to be Engulfed by a Cataclysm
This is a drawing digitally altered in Photoshop:

Man About to be Engulfed by a Cataclysm, 2010, ink drawing altered in Photoshop.
Here is the drawing in its original state:

And here is how I changed the original drawing after seeing the digital version:

Man About to be Engulfed by a Cataclysm, 2010, brush & ink drawing, 11" x 8.5".
I still prefer the digital version at this point...it's much stronger & darker, I think.
Below is the "final" (?) version of this piece with acrylic paint additions:

Man About to be Engulfed by a Cataclysm, 2010, ink drawing altered in Photoshop.
Here is the drawing in its original state:

And here is how I changed the original drawing after seeing the digital version:

Man About to be Engulfed by a Cataclysm, 2010, brush & ink drawing, 11" x 8.5".
I still prefer the digital version at this point...it's much stronger & darker, I think.
Below is the "final" (?) version of this piece with acrylic paint additions:
Tuesday, July 07, 2009
Sketch of a Man's Head With a Long Neck
New silverpoint sketch:

Sketch of a Man's Head With a Long Neck, 2009, silverpoint on prepared card, 11" x 8.5".
Although I like the faint, almost ghostly qualities of silverpoint, I discoved today that if I use liver of sulphur, the lines will tarnish to dark brown & perhaps even black. I shall have to try it.

Sketch of a Man's Head With a Long Neck, 2009, silverpoint on prepared card, 11" x 8.5".
Although I like the faint, almost ghostly qualities of silverpoint, I discoved today that if I use liver of sulphur, the lines will tarnish to dark brown & perhaps even black. I shall have to try it.
Labels:
drawing,
head,
long neck,
man,
silverpoint
Friday, November 14, 2008
Broken Man Walking
New ink drawing:

Brush & ink on paper, 2008, 14" x 11".
It had been a while since I'd done an "intricate" figure drawing like this. Might do some more...

Brush & ink on paper, 2008, 14" x 11".
It had been a while since I'd done an "intricate" figure drawing like this. Might do some more...
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