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| The Survivors, 2015, acrylic on unstretched canvas, 66" x 72" approx. |
William T. Ayton is a British/US artist based in New York's Hudson Valley. His work deals with the human condition, social issues and myth. He creates drawings, paintings & augmented reality pieces, and has recently started to experiment with AI-generated art.
Showing posts with label war room. Show all posts
Showing posts with label war room. Show all posts
Friday, October 02, 2015
The Survivors
This is the largest piece I've done in quite a while...it relates to other series I've done, such as the Black Paintings (1999-2000), the Holocaust Series (2005), and of course The War Room (2003-2004). It's good to be working on a large scale again...
Labels:
acrylic painting,
art,
black paintings,
holocaust,
monochrome,
survivors,
war room
Saturday, June 14, 2014
War Unending
Since it's around 10 years since I created The War Room (4-wall painted installation), I thought it would be appropriate to revisit the anti-war theme, especially as things don't seem to be necessarily getting any better, globally speaking...
War Unending, 2014, acrylic on cardboard, 4' x 9' (painted on 3 panels, each 4' high by 3' wide).
War Unending, 2014, acrylic on cardboard, 4' x 9' (painted on 3 panels, each 4' high by 3' wide).
Monday, November 05, 2007
The War Room at the Museum on the Seam
Today I got the following photo via email from Jürgen Waxweiler:

Nice shot of the installation with unknown observers. From the opening of the exhibition, I presume (Oct. 12, 2007). The artwork visible in the glass case below my War Room studies is "Carpet" by Katarzyna Józefowicz from Poland. Click here to see that work on the Museum on the Seam web site.
Nice shot of the installation with unknown observers. From the opening of the exhibition, I presume (Oct. 12, 2007). The artwork visible in the glass case below my War Room studies is "Carpet" by Katarzyna Józefowicz from Poland. Click here to see that work on the Museum on the Seam web site.
Labels:
art,
ayton,
Bare Life,
Museum On The Seam,
war room
Monday, October 15, 2007
Bare Life catalog
Just got back in from Jerusalem (via Kiev) late last night, exhausted but happy. The show was a success & I got my 15 seconds of fame on Israeli TV, in a news segment on the Bare Life show. It was also good to see Raphie Etgar (curator) & Merav Maor (museum director) again. I met German sculptor Jürgen Waxweiler and Chinese artist Sun Furong, among many other people.
The show contained work by 42 artists from all over the world, including big names such as Anselm Kiefer, Bill Viola, Bruce Nauman, Paul McCarthy, William Kentridge, Sophie Calle & so on. It was good company to be in.
Below is the catalog cover:

Cover image is "Cain Mark" by Israeli artist Haim Maor (color print photograph & collage)
Below is my double-page spread (pp. 86-87):

Click on image for larger version.
Images are (left) "The Witnesses", 2003 (War Room study) & "Hiroshima: Ground Zero", 2004, painted after the 2001 illustration commissioned by the New York Times Op-Ed page.
The show contained work by 42 artists from all over the world, including big names such as Anselm Kiefer, Bill Viola, Bruce Nauman, Paul McCarthy, William Kentridge, Sophie Calle & so on. It was good company to be in.
Below is the catalog cover:

Cover image is "Cain Mark" by Israeli artist Haim Maor (color print photograph & collage)
Below is my double-page spread (pp. 86-87):

Click on image for larger version.
Images are (left) "The Witnesses", 2003 (War Room study) & "Hiroshima: Ground Zero", 2004, painted after the 2001 illustration commissioned by the New York Times Op-Ed page.
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