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| Ship of Lost Souls, 2016, brush & ink on paper, 14" x 11". |
William T. Ayton is a British/US artist based in New York's Hudson Valley. His work deals with the human condition, social issues and myth. He creates drawings, paintings & augmented reality pieces, and has recently started to experiment with AI-generated art.
Friday, April 22, 2016
Ship of Lost Souls
I think this small drawing may be a turning point for me, pointing the way forward. I'm thinking of doing some more complex, multi-figured drawings. I was looking at some of Breughel's work recently and admiring the way he could orchestrate a multitude of small figures within a complex large piece. We'll see...
Labels:
art,
breughel,
complex,
figures,
ink drawing,
lost souls,
ship
Thursday, April 21, 2016
Divining the Source
Wednesday, April 13, 2016
Space Oddity
Not really a tribute to David Bowie, this concerns the drawing below which came as something of a surprise. While I have read the odd science fiction book (Kurt Vonnegut, if he counts as science fiction, & maybe not exactly) & I like sci-fi movies, I don't really utilize such themes in my artwork. Until now. Or not. Probably an aberration, but not the worst thing I ever made...
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| Science Fiction, 2016, brush & ink on paper, 11" x 14". |
Tuesday, April 12, 2016
Souls in Summerland
Another new brush & ink drawing, a series seems to be coming together. Also, this forms part of a series of faceless "souls" that I've done over the years. Summerland is apparently a name for the place on "the other side" where souls go when they pass, where everyone is happy and peaceful.
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| Souls in Summerland, 2016, brush & ink on paper, 14" x 11" |
Sunday, April 10, 2016
Atomic
Thursday, April 07, 2016
Medusa Again
Monday, April 04, 2016
Head on Cardboard
Wednesday, February 17, 2016
2 old paintings: Babel & Figure in a Landscape
Unfortunately, my aunt passed away suddenly a few weeks ago. In her collection were a couple of my paintings from long ago (1978, to be precise), which I'm posting below. "Babel" is a fairly straightforward oil painting somewhat in the style of John Martin, and "Figure in a Landscape" which is heavily painted in quite thick impasto. Both are done in oil. I hadn't really thought about either of these for years, so it was surprising to see them again. The second one, I've left the bamboo frame in the photo, as it goes well with the painting.
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| Babel, 1978, oil on canvas, 14" x 18" |
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| Figure in a Landscape, 1978, oil on board, 16" x 12" |
Tuesday, February 02, 2016
The Most Human Angel of All
This was supposed to be a better version of "Angelic" (see below), the drawing that I destroyed, but that lived on in a much better incarnation as a digital piece. Whilst the composition is just about the same (quite similar, anyhow), the piece took on a life of its own & with the addition of acrylic paint over the sepia ink, became a much more emotionally resonant image (in my opinion, at least).
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| The Most Human Angel of All, 2016, acrylic over sepia ink on paper, 12" x 9" |
Labels:
acrylic painting,
angel,
art,
ink drawing,
sepia ink
Friday, January 29, 2016
Angelic (digital)
Below is the digital version of a drawing that no longer exists. I originally started the drawing in sepia ink, which can be harder to work with than black ink on account of the paleness of the pigment. I find it more difficult to get an even tone. As time went on, the drawing became more and more overworked...I paused and took a digital photo in poor lighting conditions. To improve things, I loaded the photo into Photoshop & tried a few options...the "stamp" filter was the one that worked. Basically, it evened out the inconsistencies in the lines and revealed the underlying structure of the drawing much more coherently. Inspired by the digital version, I went back to the drawing and worked on it some more with black ink...with the unfortunate consequence that the drawing became more convoluted and weaker. Eventually, I destroyed the drawing. The digital version is much better than the drawing ever was...though it does indicate some possible routes forward for future artwork.
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| Angelic, digital image, 2016 |
Labels:
angel,
angelic,
art,
destroyed drawing,
digital image,
ink drawing
Wednesday, January 27, 2016
The Song of the Bird
Tuesday, January 19, 2016
Very Small Paintings
Here are a couple of very small acrylic monochrome paintings I did the other day on sample pieces of claybord (TM) that my wife picked up a while ago at an open day event at The New School in NYC. I don't usually make artworks this small, so it was a challenge to work at this scale, but it worked out pretty well. The main problem was to get a decent photo of them. The one on the left is "Tiny World Madonna" & is 4.75" tall by 2.75" wide. The other one, "Babel with 3 Small Figures" is a little bit larger at 5" x 3".
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| very small paintings, with red lamp base and white cup |
Labels:
art,
babel,
madonna,
very small paintings
Thursday, November 19, 2015
A Deck of Cards
Over the years, my work has been reproduced on postcards, books, wine labels, calendars, & probably other items I'm forgetting here. I've always wanted to put my work on a deck of playing cards, but until recently this has not been possible, or at least too expensive to consider. However, I recently came across a company apparently based in Hong Kong, that will affordably put your photos or artwork on not only the back of playing cards, but also the front. This was a prototype, so I only used 16 images for the fronts (major suits plus 2 jokers), and also one ("The Eye of Heaven") for the backs. I had to crop the images slightly to make them fit, which is a compromise, but not too bad. I was quite happy with the results...I may do another version where all the images on the faces are different artworks. Watch this space...
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| The deck of Ayton artwork cards |
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