Today's output has been a little dark (Bosch, etc.), so here is a more uplifting image:
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| Sun God AI |
William T. Ayton is a British/US artist based in New York's Hudson Valley. His work deals with the human condition, social issues and myth. He creates drawings, paintings & augmented reality pieces, and has recently started to experiment with AI-generated art.
With this one, I used Leonardo.Ai's Alchemy Upscaler to improve image quality & upsize it. I'm not sure it made a huge difference, as all the little figures are quite small, so fixing hands & heads, etc. is not a major issue here.
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| Bosch AI Apocalypse v.2 |
In case anyone's wondering if I still make non-AI artwork, the answer is a definite "yes". Here's one from today:
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| Lost Among the Spheres, ink drawing 14" x 11", 2024 |
This was done in Blender using a winged head I sculpted a short while ago. I added a partial body & gave it a metallic gold texture, then lit it with an HDRI (high dynamic range image) as well as a sun light. By experimenting with the lighting, HDRI placement, composition, etc., I came up with the following images. The only difference between I & II is the rendering engine used (Eevee in the first, Cycles in the second). The results were suitably ethereal & heavenly, I think.
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| Sun Angel II, Blender digital image (Cycles renderer) |
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| Sun Angel I, Blender digital image (Eevee renderer) |
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| Ezekiel's Wheels, 2019, acrylic on panel, 20" x 16". |
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| The Eye of Truth, 2017, acrylic on plywood, 11" x 14" |
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| The Discovery, 2017, acrylic on board, 12" x 12" |
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| Digitally manipulated |
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| The Radiant One, 2016, acrylic on MDF, 9" diameter. |
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| In situ with leaf |
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| The Skies and Seas of Heaven, 2016, acrylic on plywood, 6.75" diameter. |