The new version was done from memory, rather than looking at/copying the older version, so in some ways they are quite different.
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| The Deluge, 2019, acrylic on panel, 20" x 16" |
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| The Deluge, 1998, acrylic pigment on museum board, 40" x 32" |
William T. Ayton is a British/US artist based in New York's Hudson Valley. His work deals with the human condition, social issues and myth. He creates drawings, paintings & augmented reality pieces, and has recently started to experiment with AI-generated art.
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| The Deluge, 2019, acrylic on panel, 20" x 16" |
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| The Deluge, 1998, acrylic pigment on museum board, 40" x 32" |
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| Spiral Sky, 2019, acrylic on panel, 12" x 12". |
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| She's Lost Control (Again), 2018, brush & ink on illustration board, 20" x 16". |
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| The Seven Deadly Sins, 2017, acrylic on canvas, each panel is approx. 65" x 36" |
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| Looming Clouds Over Distant White Cities 1-3, 2018, acrylic on canvas, each panel 6" x 4" |
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| With Downcast Eyes, 2018, brush & ink on cardboard, 13" x 10" |
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| Blind Truth, 2018, brush & ink on paper, 11" x 8.5" |
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| The Perfect Couple, 2018, oil on panel, 11" x 14" |
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| Installation shot / Limner Gallery |
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| Postcard front: art by Cynthia Decker |
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| Poscard back: art by Kevin Schroeder |
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| Seasons in the Abyss: Winter, 2018, oil on panel, 14" x 11" |
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| Strange Figurations invite postcard, front |
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| Strange Figurations invite postcard,back |
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| Day of the Alchemist, 2018, oil on panel, 11" x 14" |
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| Duo -- The Perfect Couple, 2018, oil on panel, 11" x 14" |
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| Madonna in Blue, 2018, oil on panel, 12" x 9" |
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| Sinner, 2018, oil on panel, 14" x 11" |
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| The Apocalypse (study), 2018, oil on panel, 20" x 18" |
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| The Veiling of the Bride, 2018, oil on panel, 20" x 16" |
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| The Veiling of the Bride, 2017, ink on paper, 24" x 18" |
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| Silence & Solitude, 2018, oil on panel, 20" x 16" |
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| Resting Colossus, 2018, oil on panel, 12" x 9" |